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Title: |
ZWEIKOMMASIEBEN, No.17 |
Search Result:
| ISBN10-13: |
3906282139 : 9783906282138 |
| Format: |
Paperback |
| Pages: |
128 |
| Weight: |
.500 Kg. |
| Published: |
zweikommasieben magazin - June 2018 |
| List Price: |
11.00 Pounds Sterling |
| Availability: |
No Longer Distributing
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| Subjects: |
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| In the 17th issue of zweikommasieben something that has been apparent from the beginning of the magazineâ whose credo is to study the presentâ only seems increasingly true: in the supposed present, temporalities overlap and intersect. They burst out, reaching at once backwards and forwards. The magazine features interviews with John Maus about the six years between the release of his last two albums, with Anna Sagström and Daniel Iinatti of Country Music discussing accelerationist force of globalization or with Alessandro Cortini on the private retrospective of 1970s Italy in Avanti. In those conversations the nature of time shows itself as enigmatic, fragmented and displaced. On top, this issue features interviews with Anna Homler, Errorsmith, Further Reductions, Gabber Eleganza, Jasss, Ossia, Peter Rehberg and Renick Bell; conversations with Russell Haswell and between Christoph Fringeli, Simon Crab and Nigel Ayers; a portrait on Mmodemm; an essay by DeForrest Brown Jr. ; columns on gender in dancehall (â Basslinesâ ), authenticity of field recordings (â Track Down Fictionâ ), pictures from Georg Gatsas (â We Are Timeâ ) as well as poetry with â Sound Textsâ ; and contributions by Angoisse, Ipek Gorung & Ceramic TL and Jay Glass Dubs. In zweikommasieben #17, the nature of time also shows itself in the designâ a design initially looking for an aesthetic of speed but ultimately as much a reflection of pausing as of deceleration and acceleration. And in this attempt to give form to time, thereâ s also the primordial-musical moment. |
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